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вЂњThe work in this exhibition, perhaps surprisingly, is one of the first works by Muholi I came across, and the very first work that I focused on in my academic study at the Courtauld Institute.

Muholi has turned the camera on themself, too, in striking, theatrical self-portraits that explore the politics of race and representation. They see their work as a form of resistance, showing lived experiences that have long been marginalised, and even erased. MuholiвЂ™s visual projects are all rooted in their desire to create a Black queer and trans visual history of South Africa. вЂњZanele Muholi has been documenting the lives of Black lesbian, gay, bisexual, transgender and intersex people in townships in South Africa for decades. Here, in her own words, Emelife talks us through five highlights from the Black Venus show: Looking to the future, the show also highlights a new generation of talent shaping visual culture today, such as Amber Pinkerton, Ruth Ossai, and Jenn Nkiru. Featuring seminal works by some of the most influential Black female artists of our time, Black Venus includes contributions from Zanele Muholi, Deana Lawson, Carrie Mae Weems, Renee Cox, Ming Smith, Mickalene Thomas, and Coreen Simpson. вЂњIn an age where Black women are taking positions in power, fronting the covers of fashion magazines, and taking up space in all manner of fields and industries, it is a reminder to look back and see how far weвЂ™ve come, so we can look to the future,вЂќ says Emelife of the curation. Telling a multifaceted story of Black women through history, the show encompasses representations across photography, music videos, fashion, social media and film. The exhibition presents a powerful look at the legacy of Black women in visual culture, investigating the myriad modes of representation they have faced through history вЂ“ from colonial-era exoticisation and fetishising portrayals, to the present-day reclamation of Black womanhood beyond stereotypes.

One thing which has set Emelife apart is her talent for telling important stories in confronting new ways вЂ“ and Black Venus is no exception. Her latest project, Black Venus, an exhibition at FotografiskaвЂ™s New York gallery, celebrates the work of 19 trailblazing Black women artists. Alongside curatorial endeavours which traverse the realms of fashion, music and literature, Emelife released her first book A Brief History of Protest Art earlier this year to widespread acclaim. Selected as part of ForbesвЂ™ 30 Under 30 cohort last year, Emelife studied at the Courtauld in London before making her mark on the often-rigid art world, where she has focused on breaking down barriers with work that champions inclusivity, female voices, and artists of colour. At the age of 26, Aindrea Emelife has already made a name for herself as one of the most important new voices in art curation.

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